Piece, 2003, oil on canvas |
Mirage of Steel, 2003, oil on canvas |
Albert Oehlen's paintings are neither beautiful nor seductive. Their self-consciously brutal surfaces seem to be corrupted from within, a perversion of the paintings they might have been. Link to Saatchi Gallery.
He combines aspects of figural sexuality, mechanical distance, and painterly abstraction. It is possible to find representations of objects or figures in his mostly-abstracted works, although he exposes the limitations of both.
Formally, puddles and washes convey a refracted, dreamlike sensibility. He plays with depth perception and foreground/background relationship. Some of his compositions seem rushed and crowded, while others seem discouragingly bare.
Other works not shown here are mixed media on panel, inkjet prints, and collaborative works with other artists.
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