Jumaldi Alfi

Jumaldi Alfi

Footnote #4 (Blackboard painting), 2012, acrylic and oil bar on canvas

Renewal/Verjungung Series 2-B, 2009, acrylic on canvas

Jumaldi Alfi surprisingly removes his art from socio-political themes in favor of formal elements. He identifies as an Indonesian artist. His background as a poet is evident in his work (through use of text and subject matter). His work is about naivity and minimalism.

Formally, he uses color, line, texture, and meaningless doodles in his compositions. Text is present in nearly all the ones I've seen and sometimes is even the sole subject. Skulls are a very common theme in his work bringing to mind death and decay.

chalkboard paintings reminiscent of Cy Twombly.

Allison Miller

Allison Miller

Wave, 2003, oil and acrylic on canvas

Repeater, 2013, oil and acrylic on canvas

Allison Miller is an abstract artist who includes unique materials like dirt into her oil, acrylic, and pencil works. She combines linear mark-making with abstractions. Her pieces use bright colors, bold forms, and heavy textures. Her line work has been described as a gravity-defying 3D sculptural effect. Formally, she is deliberately inconsistent but in a way that does not evoke collage.

Black is consistently dominant in her paintings. Other colors are drab and institutional with bright colors peeking through.

She explores new territories while she paints and doesn't like to talk about her work. One of her preoccupations is figure-ground relationship. Her use of depth and layers cause viewers to question what they're supposed to be looking at.

Cy Twombly

Cy Twombly

Red Painting, 1961, oil, crayon, and pencil on canvas

Untitled, 1968, house paint and crayon on canvas

Cy Twombly evaded the dominant styles of the time: Pop, Abstract Expressionism, and Minimalism in favor of his large-scale, calligraphic, graffiti-style paintings.

He works in mixed media: sprayed graffiti-like paint on solid fields of gray, white, or tan. They appear to have been scribbled by a child.

His influences of each individual work are suggested in the titles. He sites the lines and smudges as the subjects of the paintings. He paints with cultural memory and sometimes evokes landscapes through use of color.

During the 1960s, his exhibitions were negatively received; people said their kid could paint that. His later works have been categorized into Romantic Symbolism.

Janaina Tschape

Janaina Tschape (two dots over the a)

Janaina Tschape creates photographs, videos, performances, and paintings. She paints journeys, romanticism, and dream states.

She uses color, line work, and overlapping shapes to create depth. Drips of paint remind viewers of the surface. She often works with cut paper.

video

Dana Schutz

Dana Schutz

Death Comes To Us All, 2003, oil on canvas

Twister Mat, 2003, oil on canvas

Dana Schutz's work has been described as teetering on the edge of tradition and innovation.

Still lifes become personified, portraits become events, and landscapes become constructions. She embraces the area in which the subject is composed and decomposing, formed and formless, inanimate and alive. She works with themes of death and discomfort.

She paints in thick impasto with heavy line work, deep colors, and dark shadows.

After looking at a variety of her work, I think she addresses reality in a very illogical, surrealist way.

Julie Mehretu

Julie Mehretu

Dispersion, 2002, ink and acrylic on canvas

Julie Mehretu's work combines aspects of cartography, architectural drawing, urban planning, and abstract painting. She creates energetic compositions with interesting lines and colored planes. Her art has been called animated urbanscapes.

She layers materials like Mylar, vellum, and semi-transparent paper. In addition to painting directly, she sprays acrylic medium with an airbrush.

Rather than classical renderings of environments, she presents them in unexpected ways, sometimes symbolizing not real space.

Her work has been discussed in terms of globalism: each individual layer can represent views and perspectives.

Karin Davie

Karin Davie

In Out In Out #5 and #6 (diptych), 1992, oil on canvas

Slip-Up, 1998, oil on canvas

Karin Davie is known for her Modernist striped and looping hyperbolic abstractions. Her process can be viewed in context with painting as performance.

Her paintings are constructed from repetitive physical movements. She works in large scale with bright colors.  Line and color are strongly emphasized.

She has been linked to/compared to Pop art, Op art, and Abstract Expressionism.

Gregory Amenoff

Gregory Amenoff

Cirque, 2006, oil on panel

Riversea IV, 1999, oil on canvas

Gregory Amenoff paints light and the emotional atmosphere of light. He derives from landscapes and juxtaposes oppositional worlds. He can be described as an abstract artist whose lines are energetic and sweeping.

His works evokes elements of earth, wind, fire, and water. (The two seen here have lightning bolts and waves). Formally, he works with rich surfaces and thick paint handling. His colors are deep and contrasty. His compositions are often unbalanced and unsettling.

Jane Callister

Jane Callister

Yellow Falls, 2005, acrylic on paper

Jane Callister challenges notions of representation through her unique paint application process. Rather than painting onto the canvas, she pours and drips paint and other materials. In addition to questions of abstraction vs representation, she also challenges figure vs ground, color vs line, content vs form, and personal vs political.

Visually they include hard-edged drips, lacy stalagtites, and melted ice cream colors.

Her earlier works include representations of human bodies, but in her more recent works they are only implied. Now, she includes off-the-wall additions to her canvases.