Amy Sillman
Amy Sillman speaks of painting as a physicality, like an extension of her arm. She believes honesty is the most important quality in a painting.
She uses richly complicated textures and colors (although with limited palettes). She uses gesture, color, and drawing-based procedures to imply femininity, performativity, and humor.
tagged:
- abstraction
- acrylic on canvas
- African American art
- Albert Oehlen
- alienation
- Allison Miller
- ambiguity
- Amy Cutler
- Amy Sillman
- analytical painting
- Anselm Kiefer
- architectural drawing
- art therapy
- banality
- Bernard Frize
- bright colors
- Cecily Brown
- challenges representation
- Chicago Imagists
- Chinese
- cityscapes
- collaborative works
- color
- conceptual art
- criticism of art
- Cy Twombly
- Damien Hirst
- Dana Schutz
- death
- depth perception
- destruction
- detachment
- discomfort
- distortion
- DIY
- Ellen Gallagher
- energetic compositions
- European Folk Art
- exploitation
- Fabian Marcaccio
- fashion
- favorite
- feminism
- figural
- first year art student
- flat color
- Francis Alys
- Fred Tomaselli
- gestural
- globalism
- gouache on paper
- Gregory Amenoff
- history
- humor
- Hung Liu
- impasto
- Indonesian
- Inka Essenhigh
- Janaina Tschape
- Jane Callister
- Japanese
- Jim Nutt
- John Currin
- Julie Mehretu
- Jumaldi Alfi
- Karin Davie
- kitsch
- landscapes
- large scale
- Lesley Vance
- line
- Lisa Yuskavage
- Lorraine Shemesh
- Luc Tuymans
- magazine collage
- manipulation
- Mark Tansey
- Marlene Dumas
- Merlin Carpenter
- metaphor
- miniature
- minimalism
- mixed media
- monochromatic
- Muslim
- naivity
- narrative paintings
- negatively received
- Neo Rauch
- Neopop
- New Symbolism
- New York City
- Nigel Cooke
- non-representational
- obsession
- obvious brushstrokes
- off the wall installations
- oil on canvas
- oil on linen
- Op art
- paradoxical
- Pat Steir
- performance
- photographs as source material
- photorealism
- physical transformation
- physicality
- Pia Fries
- place
- pleasure
- poetry as source material
- politics
- pop culture influence
- portraits
- process painting
- race
- reality
- reflections
- repetition
- reproduction
- Richard Estes
- romanticism
- Rosy Keyser
- sculptural
- self-made object as source material
- self-obliteration
- sexuality
- Shahzia Sikander
- shockingly bad
- skepticism
- Southern California
- still life
- sugar
- surrealism
- symbolism
- Tal R.
- technical precision
- Telestrations
- theatricality
- Tomory Dodge
- transcendence
- unusual paint application
- uses unusual materials
- visual music
- watercolor
- wet on wet
- Wilhelm Sasnal
- Will Cotton
- works quickly
- Yayoi Kusama
- Yoshitomo Nara
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2013
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November
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- Pat Steir
- Jumaldi Alfi
- Allison Miller
- Shahzia Sikander
- Jim Nutt
- Cy Twombly
- Tomory Dodge
- Rosy Keyser
- Amy Cutler
- Richard Estes
- Hung Liu
- Nigel Cooke
- Lorraine Shemesh
- Mark Tansey
- Neo Rauch
- Tal R.
- Yoshitomo Nara
- Janaina Tschape
- Inka Essenhigh
- Lisa Yuskavage
- John Currin
- Will Cotton
- Cecily Brown
- Pia Fries
- Lesley Vance
- Amy Sillman
- Dana Schutz
- Albert Oehlen
- Julie Mehretu
- Bernard Frize
- Karin Davie
- Marlene Dumas
- Damien Hirst
- Fabian Marcaccio
- Gregory Amenoff
- Merlin Carpenter
- Jane Callister
- Fred Tomaselli
- Francis Alys
- Ellen Gallagher
- Yayoi Kusama
- Anselm Kiefer
- Wilhelm Sasnal
- Luc Tuymans
-
▼
November
(44)
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