Allison Miller

Allison Miller

Wave, 2003, oil and acrylic on canvas

Repeater, 2013, oil and acrylic on canvas

Allison Miller is an abstract artist who includes unique materials like dirt into her oil, acrylic, and pencil works. She combines linear mark-making with abstractions. Her pieces use bright colors, bold forms, and heavy textures. Her line work has been described as a gravity-defying 3D sculptural effect. Formally, she is deliberately inconsistent but in a way that does not evoke collage.

Black is consistently dominant in her paintings. Other colors are drab and institutional with bright colors peeking through.

She explores new territories while she paints and doesn't like to talk about her work. One of her preoccupations is figure-ground relationship. Her use of depth and layers cause viewers to question what they're supposed to be looking at.

Shahzia Sikander

Shahzia Sikander

Mirror Plane, 2012

Shahzia Sikander likes the idea of exhausting an image. Sikander creates stimulating visual experiences for her audience through the addition of modern and non-traditional elements by forcing the viewer to reconcile conflicting sensibilities hidden within beautifully rendered landscapes as well as offering a wide range of stimuli from the traditional Muslim world to popular Western culture, such as mandalas, airplanes and cowboy boots and soccer balls. 

For her subjects, she mixes personal and historical experiences such as reading the Qu'ran. She seeks to subvert Eastern stereotypes through her work.

She is very skilled in Indo-Persian miniature painting technique and formal practice.  She frequently uses repetitive shapes to represent movement. In the one above, she uses the same shape repetition for the hair and the flight of birds, which is really cool. She does a lot of performance-based installations to further get her concept across.

Art 21 video

Tal R.

Tal R.

Victory Over the Sun, 2000, oil on canvas

Sisters of Kolbojnik, 2002, oil on canvas

Tal R. represents what is at front and back of the mind in conjunction with the bodily and the emotional. He shows melancholy and ecstatic states of transformation. He describes painting as a lunchbox. Subject matter includes imaginary pastoral scenes, primitivism, and patterns to convey a generosity of spirit and joy!

Colors are off, broken, or dense. Paintings exhibit spatial realization through a dynamic horizontal field. He uses collage, pencil, and oil in a variety of techniques (splatter, drip, brushstrokes, etc.)

Uses images from pop culture, and his cultural works are narrative.

Karin Davie

Karin Davie

In Out In Out #5 and #6 (diptych), 1992, oil on canvas

Slip-Up, 1998, oil on canvas

Karin Davie is known for her Modernist striped and looping hyperbolic abstractions. Her process can be viewed in context with painting as performance.

Her paintings are constructed from repetitive physical movements. She works in large scale with bright colors.  Line and color are strongly emphasized.

She has been linked to/compared to Pop art, Op art, and Abstract Expressionism.

Fred Tomaselli

Fred Tomaselli

Untitled (Expulsion), 2000, leaves, pills, mushrooms, photo collage, acrylic, and resin on wood panel

Gravity's Rainbow, 1999, leaves, pills, photo collage, flowers, acrylic, and resin on wood panel

Fred Tomaselli works with a variety of unorthodox materials in an attempt to transcend the banality of our everyday world. His life in Southern California has had a profound effect on his work, as he looks for a spiritual transport to the idea of "somewhere else". He includes themes inspired by Disneyland, music and drug culture, and wilderness.

His works are very aesthetically interesting. At first glance they appear to be patterns of paint on a wood panel, but they're actually composed of pot leaves, pills, wings, stems, petals, and photographs. He then uses acrylic paint and seals it with resin. The unusual materials reinforce the concepts of his paintings.

Francis Alys

Francis Alys (two dots over the y)

I was initially drawn to Francis Alys through his work with performance art, photography, and book arts.
He says the style of his painting is derived from hand-painted signs in his neighborhood in Mexico City. He sort of plays a game of Telestrations with commercial sign painters by giving them copies and then working from the reproductions.  As the process continued, it would ask questions about painting itself and relationships with painting and between painters in the modern world.

He works with narratives and introspective situations. His work with reproductions reminds me of Luc Tuymans.

http://www.francisalys.com/public/painting.html