Allison Miller

Allison Miller

Wave, 2003, oil and acrylic on canvas

Repeater, 2013, oil and acrylic on canvas

Allison Miller is an abstract artist who includes unique materials like dirt into her oil, acrylic, and pencil works. She combines linear mark-making with abstractions. Her pieces use bright colors, bold forms, and heavy textures. Her line work has been described as a gravity-defying 3D sculptural effect. Formally, she is deliberately inconsistent but in a way that does not evoke collage.

Black is consistently dominant in her paintings. Other colors are drab and institutional with bright colors peeking through.

She explores new territories while she paints and doesn't like to talk about her work. One of her preoccupations is figure-ground relationship. Her use of depth and layers cause viewers to question what they're supposed to be looking at.

Tomory Dodge

Tomory Dodge

Mar-Eye-Ah, 2010, oil on canvas

Weekend, 2005, oil on canvas

Tomory Dodge uses a variety of approaches to painting on a single surface. He wants to emphasize the immediate experience of painting via abstraction.

Some of his pieces appear to be smudges and lines in somewhat of a Cubist fashion, although others have a clear representational subject. His strong use of color and line suggest energy and movement.

He chooses not to fit into a preconceived notion of painting and has a hard time accepting the last marks as the last. He can be classified as an abstract artist who challenges representation with his unusual and energetic painting style.

Lorraine Shemesh

Lorraine Shemesh

Bubbles, 1990, oil on canvas

Spots, 2012, oil on canvas

Lorraine Shemesh is a hyper-realist painter. She lists Edward Hopper, athletic figures, dancers, Abstract Expressionism, and Neo-Impressionism as her influences.

Themes include unconventional cityscapes, figures, interiors, repetition, and water.

Her underwater scenes are super good - highly saturated colors with water distortion. Her earlier works are humorous and contemplative.

Mark Tansey

Mark Tansey

The Innocent Eye Test, oil on canvas

Doubting Thomas, 1985, oil on canvas

Mark Tansey has been described as a historian-painter of the Postmodern art world. (If you glanced at them you might think they were history paintings but they have surprising and unexpected subject matter). (You might even think they were highly faded photographs.)

This guy is pretty cool - he paints representations of Doubting Thomas and people painting a spaceship. Represents action/instant painting, because you couldn't paint a spaceship because it would take too long. He uses a monochromatic color scheme.

He is very technically skilled in his use of humor and criticism of art.

Neo Rauch

Neo Rauch

Felsen, 2001, oil on canvas

Regel, 2000, oil on paper

Neo Rauch is a German oil painter. He combines themes of politics and personal history, Social Realism , and industrial alienation.

Subjects include men in uniform taking control of civilian life. The landscapes clash and have no apparent intention.  The artist or painter often appears in the paintings themselves, engaging in a violent struggle. Formally the figures appear realistically comic-booky like a cartoon I would turn off or a violent graphic novel.

His works have been described as "failed utopia"

video

Tal R.

Tal R.

Victory Over the Sun, 2000, oil on canvas

Sisters of Kolbojnik, 2002, oil on canvas

Tal R. represents what is at front and back of the mind in conjunction with the bodily and the emotional. He shows melancholy and ecstatic states of transformation. He describes painting as a lunchbox. Subject matter includes imaginary pastoral scenes, primitivism, and patterns to convey a generosity of spirit and joy!

Colors are off, broken, or dense. Paintings exhibit spatial realization through a dynamic horizontal field. He uses collage, pencil, and oil in a variety of techniques (splatter, drip, brushstrokes, etc.)

Uses images from pop culture, and his cultural works are narrative.

Inka Essenhigh

Inka Essenhigh

Subway, 2005, oil on canvas

Shopping, 2005, oil on linen

Inka Essenhigh's paintings can be described as Pop Surrealism. She paints cartoonish, highly abstracted human forms, turning everyday banality into a surrealist case study on modern, urban life.

Formally, she paints strangely attenuated forms in flat, simple colors. Her use of seamless paint appears digital and animated, kind of like Fantasia. Her figures appear distorted in their faces and bodies.

John Currin

John Currin

The Bra Shop, 1997, oil on canvas

Kiev, 2008, oil on canvas

John Currin is a figurative painter influenced by Renaissance oil paintings, contemporary culture, politics, and women's magazines.

He creates parodies of our sex-obsessed culture through distortion of the human figure. Main themes include pornographic eroticism and manipulation. Often his portraits appear satirical, kitschy, and humorous. Over time his works have gotten much more explicitly erotic.

Dana Schutz

Dana Schutz

Death Comes To Us All, 2003, oil on canvas

Twister Mat, 2003, oil on canvas

Dana Schutz's work has been described as teetering on the edge of tradition and innovation.

Still lifes become personified, portraits become events, and landscapes become constructions. She embraces the area in which the subject is composed and decomposing, formed and formless, inanimate and alive. She works with themes of death and discomfort.

She paints in thick impasto with heavy line work, deep colors, and dark shadows.

After looking at a variety of her work, I think she addresses reality in a very illogical, surrealist way.

Karin Davie

Karin Davie

In Out In Out #5 and #6 (diptych), 1992, oil on canvas

Slip-Up, 1998, oil on canvas

Karin Davie is known for her Modernist striped and looping hyperbolic abstractions. Her process can be viewed in context with painting as performance.

Her paintings are constructed from repetitive physical movements. She works in large scale with bright colors.  Line and color are strongly emphasized.

She has been linked to/compared to Pop art, Op art, and Abstract Expressionism.

Marlene Dumas

Marlene Dumas

Marlene Dumas' paintings blur the lines of race and identity. She is interested in the ambiguous divide between the public and private self. She also includes themes of sexuality, empowerment, and exploitation.

Formally she works from photographic imagery. The emotional, carnal quality of her images redefines the content of her sources. She uses oil paint on canvas in high contrasting colors or fluid watercolor on paper.

Gregory Amenoff

Gregory Amenoff

Cirque, 2006, oil on panel

Riversea IV, 1999, oil on canvas

Gregory Amenoff paints light and the emotional atmosphere of light. He derives from landscapes and juxtaposes oppositional worlds. He can be described as an abstract artist whose lines are energetic and sweeping.

His works evokes elements of earth, wind, fire, and water. (The two seen here have lightning bolts and waves). Formally, he works with rich surfaces and thick paint handling. His colors are deep and contrasty. His compositions are often unbalanced and unsettling.

Yayoi Kusama

Yayoi Kusama

Yayoi Kusama always wears polka dots and paints polka dots and other obsessive patterns. She works in neon, almost radioactive colors.

Her work has been classified as Abstract Expressionism, Minimalism, and Pop Art.

It's important to mention that she's been living voluntarily in a psychiatric clinic since 1977.

Also she did a collaboration with Marc Jacobs for Louis Vuitton.

http://www.nowness.com/day/2013/6/28/3135/yayoi-kusama-self-obliteration

Anselm Kiefer

Anselm Kiefer

Margarethe, 1981, oil and bundles of straw on canvas

Icarus- Sand of the Brandenburg March, 1981, oil, emulsion, sand, shellac, and photograph on canvas

He incorporates materials such as straw, ash, clay, lead, and shellac into his large-scale oil paintings. Many of his works resemble landscapes or interiors of rooms.
He works with themes of German history, the horrors of the Holocaust, and the spiritual concepts of Kabbalah.

Also works in photography, sculpture, and book design.

Wilhelm Sasnal

Wilhelm Sasnal

Girl Smoking (Anka), 2001, oil on canvas

Soldiers, 2001, oil on canvas

Wilhelm Sasnal modifies reality by painting banal situations and objects in unusual compositions. He borrows subjects from art history, 20th century propaganda, and photojournalism. He explores modern concepts of beauty in his portrait series. The cigarettes in the women's mouths represent self-destruction. Many of his paintings are contemporary versions of Pop Art.

He paints in a way that you can clearly see the medium is paint.

Very similar to Luc Tuymans.

Luc Tuymans

Luc Tuymans

Gas Chamber, 1986, oil on canvas

The Rabbit, oil on canvas

Tuymans uses photographs as source material to create dislocation from real events, manipulation and deception in art. He executes all of his works in a single day and experiences feelings of aggression and violence before and during painting. His works, removed from photographs, create a sense of detachment. They often appear blown-out and overexposed.

Very similar to Wilhelm Sasnal.