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Showing posts with label depth perception. Show all posts
Showing posts with label depth perception. Show all posts

Monday, November 11, 2013

Allison Miller

Allison Miller

Wave, 2003, oil and acrylic on canvas

Repeater, 2013, oil and acrylic on canvas


Allison Miller is an abstract artist who includes unique materials like dirt into her oil, acrylic, and pencil works. She combines linear mark-making with abstractions. Her pieces use bright colors, bold forms, and heavy textures. Her line work has been described as a gravity-defying 3D sculptural effect. Formally, she is deliberately inconsistent but in a way that does not evoke collage.

Black is consistently dominant in her paintings. Other colors are drab and institutional with bright colors peeking through.

She explores new territories while she paints and doesn't like to talk about her work. One of her preoccupations is figure-ground relationship. Her use of depth and layers cause viewers to question what they're supposed to be looking at.

Sunday, November 10, 2013

Janaina Tschape

Janaina Tschape (two dots over the a)




Janaina Tschape creates photographs, videos, performances, and paintings. She paints journeys, romanticism, and dream states.

She uses color, line work, and overlapping shapes to create depth. Drips of paint remind viewers of the surface. She often works with cut paper.

video

Albert Oehlen

Albert Oehlen

Piece, 2003, oil on canvas

Mirage of Steel, 2003, oil on canvas


Albert Oehlen's paintings are neither beautiful nor seductive. Their self-consciously brutal surfaces seem to be corrupted from within, a perversion of the paintings they might have been. Link to Saatchi Gallery. 

He combines aspects of figural sexuality, mechanical distance, and painterly abstraction. It is possible to find representations of objects or figures in his mostly-abstracted works, although he exposes the limitations of both.

Formally, puddles and washes convey a refracted, dreamlike sensibility. He plays with depth perception and foreground/background relationship. Some of his compositions seem rushed and crowded, while others seem discouragingly bare.

Other works not shown here are mixed media on panel, inkjet prints, and collaborative works with other artists.